Category Archives: Events

I’ll be at BlueBazaar this Saturday in Pilsen with some nerdy plushies and geeky gifties

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Pop-up retail events are super trendy these days, and I’ll be part of one in Pilsen (through Fractalspin) on Saturday just to maintain my credentials.

I kid! It’s actually a craft fair called Blue Bazaar, a fundraiser for a neat entrepreneurial technology-slinging non-profit called Blue 1647. It’s a year-old nonprofit technology innovation center focused on “education, workforce development, business acceleration, and economic development in technology”-related things. What that means is they have classes, office space rental, a incubation program and three (3!!!) 5th generation Makerbot 3D printers, free computer usage for members, classrooms, and office rentals to entrepreneurs and budding organizations to aid in making their visions reality (as if the 3D printer thing wasn’t enough). Also, Harper Reed–who might have helped with a presidential thing a while back–is on the board, which might have helped make me aware of them. Pretty cool, right?

So, the cause is great, and I didn’t have plans that day, and it just so happens I have a bunch of inventory that I’d rather not have to pack when I move to the new place. I’ll put “magic stickers” (some people call them Sale Tags) on some neat things I sell that will give some lucky folks a sizable discount when they walk away with cool things like Circuit Board Luggage Tags, Cable Ties, Microcontroller Cufflinks, Goofy Plush Hearts,Giant Testicles, Magnetic DNA Plushies, and more.

If you’ll be on the South side on Saturday and you’ve had your eye on something, now’s the time to negotiate. Ask away!

Here are some of the other artist / vendors who are exhibiting:


Lucky Skye


No Rush Imagery


Tortoise Belly


Knock Down Barns wooden game

Come out and say hello, and check out neat stuff on a Saturday!

Event Details:
What: Entrepreneur and Innovation Fair
Where: Blue 1647 at 1647 S. Blue Island Ave. Chicago, IL
When: May 17 10AM – 6PM
Cost: Free and Open to the Public

Northern Soul: An influential British musical moment in electronic music culture

“The northern soul scene, to me, was like an eighth wonder of the world. You’re looking at the depressed north of England, where there wasn’t a great deal there apart from steelworks and coalmines. You had people doing this boring repetitive work during the week; and hard work, too. And when they went out on a weekend, they really wanted to go out. Going out until 11 o’clock to the local pub just wasn’t going to be good enough.

When the whole rave thing went ballistic it felt like northern soul twenty years on. Lots of people getting off their heads, dancing to fast music and this love attitude. House is this generation’s version of northern soul…” - Ian Dewhirst, northern soul DJ ~1999 [From Last Night a DJ Saved My Life: The History of the Disc Jockey]

Here's some of the classics to listen to while you read

Northern Soul was a musical movement and underground lifestyle that emerged in the late sixties and thrived into the mid to late seventies. It was born out of the mod scene and focused on the beat-heavy, faster Motown soul sound of American artists, and was particularly defined by the purist, obsessive vinyl-fetishism of its DJs.

While the mods moved onto more fashionable crossover music, with go-go dancers and gimmicks, epitomized by the British tv Show Ready Steady Go!,  the Motown purists split into their own branch that would become Northern Soul, focusing on  authentic, finite set of records released in America in the mid to late sixties. Since there were no new recordings, the scene had a particular momentum unto itself, quite distant from commercial music of the time, and sustained by crate digging for overlooked singles from American acts who aped the Motown sound but failed to achieve any commercial success.


Early Northern Soulies were a musically-conservative offshoot of the Mods

However, while in the leading video “Northern Soul: Keeping the Faith” host Paul Mason thinks the acrobatic spins and drops were from seventies Kung Fu movies, they were mostly likely inspired from visiting American R&B musicians like Jackie Wilson.

Specifically, in this video you can see his back drop, in another his kick and spins. That splits maneuver was probably from himself or one of his contemporaries at live performances–and you have to remember that television broadcasts had to be extremely toned down for their at-home audiences new to the music.

So, Northern Soul adopted these American R&B “cool” dance styles as their own. In this fantastic academic study of the subculture, Birmingham University professor Tim Wall describes the quintessential dance style:

… [T]he dancer ‘glides from side to side’ and ‘predict almost every beat and soul clap’ (1982, 38). The predominant ‘glide’ style is achieved through some core characteristics of posture and movement: rigid upper torso, eyes up and looking forward; weight back and pushing down through the hips on to the heels; moving mostly with feet, with fairly straight legs, to propel oneself across the floor (almost always sideways); arms and hands tend to follow the shifting weight of the dancer, or push against it for expressive counter-point. It is this core competency that signals you as an insider, and not a dance tourist. - “Dancing, Northern Soul Style”

For me, this is one of the mind-blowing moments for me as someone who was a eager participant in late-nineties Chicago warehouse electronic music culture. The little “rave shuffle” was in full effect, albeit often quite bouncier and influenced by hip hop culture, as is reflected in today’s house dancing. And Northern Soul’s “Keep the Faith” rallying cry (appropriated from the black power movement and its upraised fist) was on par with nineties rave-slogan, “PLUR: Peach Love Unity Respect.” Interviews at the start of this dance short convey this similar theme:

Northern Industrial England & Northern Midwest US Cities Parallels (Chicago and Detroit)

Like Northern England, Detroit and Chicago were centers of industry, but where England was white and working class, the Northern US’s cities fascination with soul came from a black perspective. “Nowhere to Run” was filmed in a Detroit Mustang factory, weirdly, and perhaps unintentially saying that people who lived in Detroit were stuck with factory jobs but building machines for freedom for those who could afford them. The Chicago House documentary “Pump up the Volume” provides a fairly thorough early history, and “High Tech Soul” focuses on Detroit techno with an emphasis on direct influencers of the contemporary movement in the city.

Scooters were the vehicle for the Mods, who eyed the Italians as emulate-able because of their fashion discernment, and extended that to American R&B. However, it meant that when the Motown sound became unfashionable, they moved on from it, into the British rock or glam scenes emerging at the time. But the scooter also represented personal freedom in a way that was paralleled by American muscle cars, like the Ford Mustang, with enthusiasts spending time and energy not only working to attain capital to own own, but also personally modify it to represent it as an extension of their personality.

The Mod's obsession with American Soul permeated both north and south England...
...but as the seventies progressed, south England embraced funk while the North stayed conservatively focused on a particular sound rooted in the past

Although the metaphor stretches precipitously thin here, the US and UK both had geographically-related music scenes with their own momentum. It’s hard for a contemporary mind to grasp, but pre-Internet, one’s culture and norms were spread by physical interaction, or by the far slower moving distribution rhythms of print publications.

As Fred Perry’s Soul Boys mini-doc points out, Northern soul dancing remained tied to a faster tempo around 140 BPM, with the emphasis on the 1s and 3s, which you can hear in Northern Soul’s most popular song and later Soft Cell cover in the 80s which you probably have heard: “Tainted Love”

The Northern dance style is faster, comparably stiffer, and a bit more regimented, with flourishes reserved for the breakdowns, and with moves choreographed to the dancer’s memorization of the song. Here’s a playlist I’ve collected with Northern Soul dance moves. It starts with some examples and then I threw in some tutorials for specific moves:

While the soul of the south, influenced by immigrants from the Caribbean islands took on and adopted sounds from its reggae heritage. In “Soul Boys” there’s a more thorough investigation, but the southern soul slows down considerably, with off-beat or snare emphasis with moves, or as mentioned in the documentary, it’s dancing between the beats.

The Fashion of Northern Soul

While it was born out of the Mod scene, the style wavered between long-term athletic comfort, baggy pants, community association, and seventies youth culture with varying degrees of sartorial success. I’ve made a Pinterest board with some of my favorite looks, but with some search engine poking you’ll find quite a few more examples that–while may have been widely adopted–are pretty cringe-worthy. That being said, here are my picks:

Follow Liz McLean Knight’s board Northern Soul Style on Pinterest.

Northern Soul Fashion - Women
Northern Soul Fashion - Men
Northern Soul Dancers - Circle Skirt
Northern Soul Dancers - Men - Seventies

Soul Togetherness: Northern Soul Weekender in Chicago 2014

soultogetherness2014

If you’re curious and Chicago-local, you’ve got a chance to experience the contemporary movement IRL tomorrow. Soul Togetherness 2014 is a rare soul weekender in Chicago with a bunch of events to check out. It runs Friday March 28 – Sunday March 20.

SOUL TOGETHERNESS USA is proud to present our 2nd annual event, featuring an international cast of DJs for a weekend of rare and original vinyl. This year we feature 4 days of events, including 2 nights at The Globe with 2 rooms of music.

Friday & Saturday, March 28 & 29
Rare Soul ‘Nighters
The Globe, 1934 W Irving Park Rd.

Rare Soul DJs in the main room both nights, plus in the second room:

“The Soul of Jamaica Room” featuring rare reggae, rocksteady, ska and Caribbean soul hosted by JAMAICAN OLDIES PRODUCTIONS. 3/28

and

“The Soul of Latin America Room” featuring rare latin soul, boogaloo and tropical sounds hosted by Chicago favorites SONORAMA. 3/29

Saturday March, 29 (AM)
Empty Bottle-1035 N Western Ave
We will feature our first RECORD FAIR, in collaboration with traveling record show “Beat Swap Meet” -www.beatswapmeet.com

https://www.facebook.com/events/474519065987292/

Entrance is Free w/ Canned Good. Canned goods are donated to local homeless shelters.

Soul Togetherness USA “Soulful Chicago Bus Tour”
Sunday, March 30, 2014 from 12:00 PM to 2:00 PM (PDT)
Chicago, IL
The STUSA “Soulful Chicago” tour will feature clubs where the magic happened, studios and labels where that magic was nurtured and captured on vinyl, and the ghosts of music past coming alive to celebrate their influence on the present. From the chamber halls of Seward Park to the walls of 2120 S. Michigan Ave., we tour the street corners where the music was created and the classic landmarks that put faces on names and sounds. Musician and critic James Porter shares it all, along with a soundtrack of classic soul that you may not even know originated in Chicago. As James puts it, “Any town that gave the world Soul Train has definitely got a good thing going on.” This is history you can dance to!The STUSA edition of the tour culminates at the Maria’s alldayer.

Soul Togetherness Facebook
Soul Togetherness Twitter
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[Sa. May 4, 2013] Pumping Station One Hackerspace Birthday Party

PsOneTardisRoof

Chicago’s coolest hackerspace, Pumping Station:One is having a 4-year birthday party / open house thingie on Saturday.

In case you’re not familiar, hackerspaces are, well–pretty self explanatory. You sign up for a membership, like a gym, and then you get to play with all the neat toys–oscilloscopes, 3D printers, drill presses, sewing machines, and a scanning electron microscope (duh!). It’s $40-$70 per month for a membership, for all that access to awesome future-creation. Also, they really do have a Tardis on the roof, just like that photo up there shows–not shopped.

7PM – Demos and reception
10PM – Live music
@ Pumping Station: One, 3519 N. Elston, Chicago IL (near Addison and Kedzie)

They also have a THUNDER SLINKY (I don’t know what that is, but it sounds awesome):

  • Souped-up Power Wheels Racers
  • DIY Quadcopter
  • Check out our new scanning electron microscope
  • Brain-based Jacob’s Ladder
  • WindowFarm
  • THUNDER SLINKY!
  • Other cool things!

Also, interactivity is completely smiled upon and encouraged:

  • Make art with lasers!
  • Silkscreen your own art poster!
  • Learn to solder and walk away with your very own blinkie badge!
  • Print your first object using one of our 3D printers

Liquid and light snacks will be on hand, as will music and an  LED birthday cake.

There’s a $10 donation for non-members, which will go towards building a new kitchen.RSVP here.

Lovely video on the hackerspace concept:

ps1map

ESAC Launch with ATOM™ & Tobias : Saturday 8/11/12 @ the Viaduct Theater


Serving as a launch and fundraiser event for the new ELECTRONIC SOUND + ART CHICAGO (ESAC) organization, this Saturday will be the first in a series that takes a refreshingly sincere approach within an increasingly scenester and media-driven musical landscape.

This two-room multimedia extravaganza showcasing the Chicago/Midwest debut of ATOM™(Uwe Schmidt of Señor Coconut /Atom Heart fame) & Tobias.

It also features a couple surefire debut tag team spots (C.Widman vs StrizDJ Warpvs F.Vega), as well as a second BEAT.SPACE room featuring performances culled from across Chicago’s varied electronic music community from the likes of Radius,Karl Meier, FMEL’s (((SONORAMA))), andTIME NICE (of dubscription).  Presale tickets are available via Resident Advisor. The Viaduct Theater is located at 3111 N. Western. 

Atom™ and Tobias Freund are veritable living legends of electronic music. Tobias began his career in the early ’80s, mainly using the pseudonym “Pink Elln”. He looks back on a long sequence of music making that has led him from mainstream pop to club music, and then onto the experimental and undefinable. Uwe Schmidt, better known as Atom™, has a similar musical background. He is most well known for his work under the Senor Coconut moniker, but has worked under dozens of other aliases, all with their own sound.

Atom™ and Tobias met around 1986, while both were still living in Frankfurt. The pre-techno scene was blossoming when they met in a studio. In 1990, Tobias was the engineer who helped mix and record Atom™’s first release ever. As a natural consequence, Tobias and Atom™ started to work together. Strangely, they collaborated not so much in a studio environment, but mostly playing improvised electronic music concerts. In 1992 they recorded one of the very first live techno recordings ever, the 12-inch “Elektroniikkaa”, which soon became an underground anthem.

Their paths would separate in the ’90s – Atom™ moving to Santiago de Chile; Tobias relocating to Berlin – but would reconnect on a live stage again in 2003 at Mutek Chile. Even with a 10 year performance separation, the reactivation worked perfectly and they decided to share the stage more often. They have been playing many concerts worldwide since the successful re-launch in 2003 (Berghain, The Bunker, Labyrinth), and we are excited to have their debut Midwest appearance coincide with the ESAC launch event!

 


Senor Coconut at Mutek, with short interview:

Early stuff:

…and some later stuff:

[Wed. Nov 16] Frequencity Release Party




This is the release party for the latest free compilation on my label. Come out and listen to live PAs from five artists who are on the compilation.

Chicago-based innovative electronic music label subVariant will release a free-to-download compliation called Frequencity featuring quality songs from Chicagoland musicians. Earlier this year subVariant released a public call for electronic music from area musicians, without restriction on the genre. In response, a dozen tracks were chosen that represented high quality perspectives on the medium from a talented group of musicians.

On Wednesday, November 16, five of the artists will play at Darkroom (2210 W Chicago Ave Chicago): XYZR_KX, Belmont & Clark, Beanbake, Foe Paw, and [esc]APE.

Facebook Event Page

[4.10.11] Crowdsourced 1.0: dreamlogicc, Protman, Roth Mobot, Polyfuse

What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant‘s preliminary answer seems to be: "That which is "crowdsourced."

To the unfamiliar, "crowdsourced" means that the content that is the most popular "rises to the top" via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through "diggs." Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Electronic music fans and supporters were asked to vote on a number of the submissions from Chicago artists to determine the lineup for the night. After approximately 600 online-votes later, the results were in, and the top four will perform in order of the number of votes recieved.

It’s democracy in electronic music. Like, seriously, democracy. Not that "republic" stuff that’s been thrown around. These artists have been chosen by the people, for the people. 

Crowdsourced 1.0:

dreamlogicc 9:15pm [mix]
Protman 8:30pm [mix]
Roth Mobot 7:45pm [mix]
Polyfuse 7:00pm [mix]

The Empty Bottle 
7pm – 10pm
$3
1035 North Western Avenue, Chicago, IL 60622

Here were the contenders:

Rebound Kawa DJmix by Kawa

Alphabasic Arctic Tour 2011 Portland Whiskey Bar Live by Protman

Vista damage mixdown by [esc]ape

Audition For Randy by Justin McGrath

Live on RTS.FM by dreamlogic

Latest tracks by RothMobot

The Consequences by Liz Revision