Fight hunger this Saturday and partake in the spectacle of “probably the world’s largest mobile food drive.”
Chiditarod is an Epic Urban shopping cart race based on dog sled racing, a charity food drive, costumed beauty pageant, talent show, fundraiser and chaos generator all in one. All proceeds benefit the Greater Chicago Food Depository and the CHIditarod Foundation.
This is a checkpoint for Chiditarod Chicago, so on Saturday there will be sweaty costumed people running around, food for purchase, arcade games to play, and an an actual race in progress. The soundtrack will be provided by real humans:
Catch the starting line at 12:30 pm at Wollcot and Hubbard to witness an effluence of creative costumed humanity setting off on their race courses. Racers will arrive at Emporium Arcade Bar around 1pm.
I’ll be playing an upbeat, dancable arcadely-themed set, with melodic minimal techno, 8bit, glitchy weirdness, IDM, etc. And playing some new Quantazelle tracks for fun. Yeehaw.
I kid! It’s actually a craft fair called Blue Bazaar, a fundraiser for a neat entrepreneurial technology-slinging non-profit called Blue 1647. It’s a year-old nonprofit technology innovation center focused on “education, workforce development, business acceleration, and economic development in technology”-related things. What that means is they have classes, office space rental, a incubation program and three (3!!!) 5th generation Makerbot 3D printers, free computer usage for members, classrooms, and office rentals to entrepreneurs and budding organizations to aid in making their visions reality (as if the 3D printer thing wasn’t enough). Also, Harper Reed–who might have helped with a presidential thing a while back–is on the board, which might have helped make me aware of them. Pretty cool, right?
“The northern soul scene, to me, was like an eighth wonder of the world. You’re looking at the depressed north of England, where there wasn’t a great deal there apart from steelworks and coalmines. You had people doing this boring repetitive work during the week; and hard work, too. And when they went out on a weekend, they really wanted to go out. Going out until 11 o’clock to the local pub just wasn’t going to be good enough.
Here's some of the classics to listen to while you read
Northern Soul was a musical movement and underground lifestyle that emerged in the late sixties and thrived into the mid to late seventies. It was born out of the mod scene and focused on the beat-heavy, faster Motown soul sound of American artists, and was particularly defined by the purist, obsessive vinyl-fetishism of its DJs.
While the mods moved onto more fashionable crossover music, with go-go dancers and gimmicks, epitomized by the British TV show Ready Steady Go!, the Motown purists split into their own branch that would become Northern Soul, focusing on an authentic, finite set of records released in America in the mid to late sixties. Since there were no new recordings, the scene had a particular momentum unto itself, quite distant from commercial music of the time, and sustained by crate digging for overlooked singles from American acts who aped the Motown sound but failed to achieve any commercial success.
Early Northern Soulies were a musically-conservative offshoot of the Mods
However, while in the leading video “Northern Soul: Keeping the Faith” host Paul Mason thinks the acrobatic spins and drops were from seventies Kung Fu movies, they were mostly likely inspired from visiting American R&B musicians like Jackie Wilson.
Specifically, in this video you can see his back drop, in another his kick and spins. That splits maneuver was probably from himself or one of his contemporaries at live performances–and you have to remember that television broadcasts had to be extremely toned down for their at-home audiences new to the music.
So, Northern Soul adopted these American R&B “cool” dance styles as their own. In this fantastic academic study of the subculture, Birmingham University professor Tim Wall describes the quintessential dance style:
… [T]he dancer ‘glides from side to side’ and ‘predict almost every beat and soul clap’ (1982, 38). The predominant ‘glide’ style is achieved through some core characteristics of posture and movement: rigid upper torso, eyes up and looking forward; weight back and pushing down through the hips on to the heels; moving mostly with feet, with fairly straight legs, to propel oneself across the floor (almost always sideways); arms and hands tend to follow the shifting weight of the dancer, or push against it for expressive counter-point. It is this core competency that signals you as an insider, and not a dance tourist. - “Dancing, Northern Soul Style”
Northern Industrial England & Northern Midwest US Cities Parallels (Chicago and Detroit)
Like Northern England, Detroit and Chicago were centers of industry, but where England was white and working class, the Northern US’s cities fascination with soul came from a black perspective. “Nowhere to Run” was filmed in a Detroit Mustang factory, weirdly, and perhaps unintentially saying that people who lived in Detroit were stuck with factory jobs but building machines for freedom for those who could afford them. The Chicago House documentary “Pump up the Volume” provides a fairly thorough early history, and “High Tech Soul” focuses on Detroit techno with an emphasis on direct influencers of the contemporary movement in the city.
Scooters were the vehicle for the Mods, who eyed the Italians as emulate-able because of their fashion discernment, and extended that to American R&B. However, it meant that when the Motown sound became unfashionable, they moved on from it, into the British rock or glam scenes emerging at the time. But the scooter also represented personal freedom in a way that was paralleled by American muscle cars, like the Ford Mustang, with enthusiasts spending time and energy not only working to attain capital to own own, but also personally modify it to represent it as an extension of their personality.
The Mod's obsession with American Soul permeated both north and south England...
...but as the seventies progressed, south England embraced funk while the North stayed conservatively focused on a particular sound rooted in the past
Although the metaphor stretches precipitously thin here, the US and UK both had geographically-related music scenes with their own momentum. It’s hard for a contemporary mind to grasp, but pre-Internet, one’s culture and norms were spread by physical interaction, or by the far slower moving distribution rhythms of print publications.
The Northern dance style is faster, comparably stiffer, and a bit more regimented, with flourishes reserved for the breakdowns, and with moves choreographed to the dancer’s memorization of the song. Here’s a playlist I’ve collected with Northern Soul dance moves. It starts with some examples and then I threw in some tutorials for specific moves:
While the soul of the south, influenced by immigrants from the Caribbean islands took on and adopted sounds from its reggae heritage. In “Soul Boys” there’s a more thorough investigation, but the southern soul slows down considerably, with off-beat or snare emphasis with moves, or as mentioned in the documentary, it’s dancing between the beats.
The Fashion of Northern Soul
While it was born out of the Mod scene, the style wavered between long-term athletic comfort, baggy pants, community association, and seventies youth culture with varying degrees of sartorial success. I’ve made a Pinterest board with some of my favorite looks, but with some search engine poking you’ll find quite a few more examples that–while may have been widely adopted–are pretty cringe-worthy. That being said, here are my picks:
Soul Togetherness: Northern Soul Weekender in Chicago 2014
If you’re curious and Chicago-local, you’ve got a chance to experience the contemporary movement IRL tomorrow. Soul Togetherness 2014 is a rare soul weekender in Chicago with a bunch of events to check out. It runs Friday March 28 – Sunday March 20.
SOUL TOGETHERNESS USA is proud to present our 2nd annual event, featuring an international cast of DJs for a weekend of rare and original vinyl. This year we feature 4 days of events, including 2 nights at The Globe with 2 rooms of music.
Friday & Saturday, March 28 & 29
Rare Soul ‘Nighters
The Globe, 1934 W Irving Park Rd.
Rare Soul DJs in the main room both nights, plus in the second room:
“The Soul of Jamaica Room” featuring rare reggae, rocksteady, ska and Caribbean soul hosted by JAMAICAN OLDIES PRODUCTIONS. 3/28
“The Soul of Latin America Room” featuring rare latin soul, boogaloo and tropical sounds hosted by Chicago favorites SONORAMA. 3/29
Saturday March, 29 (AM)
Empty Bottle-1035 N Western Ave
We will feature our first RECORD FAIR, in collaboration with traveling record show “Beat Swap Meet” -www.beatswapmeet.com
Entrance is Free w/ Canned Good. Canned goods are donated to local homeless shelters.
Soul Togetherness USA “Soulful Chicago Bus Tour”
Sunday, March 30, 2014 from 12:00 PM to 2:00 PM (PDT)
The STUSA “Soulful Chicago” tour will feature clubs where the magic happened, studios and labels where that magic was nurtured and captured on vinyl, and the ghosts of music past coming alive to celebrate their influence on the present. From the chamber halls of Seward Park to the walls of 2120 S. Michigan Ave., we tour the street corners where the music was created and the classic landmarks that put faces on names and sounds. Musician and critic James Porter shares it all, along with a soundtrack of classic soul that you may not even know originated in Chicago. As James puts it, “Any town that gave the world Soul Train has definitely got a good thing going on.” This is history you can dance to!The STUSA edition of the tour culminates at the Maria’s alldayer.
Chicago’s coolest hackerspace, Pumping Station:One is having a 4-year birthday party / open house thingie on Saturday.
In case you’re not familiar, hackerspaces are, well–pretty self explanatory. You sign up for a membership, like a gym, and then you get to play with all the neat toys–oscilloscopes, 3D printers, drill presses, sewing machines, and a scanning electron microscope (duh!). It’s $40-$70 per month for a membership, for all that access to awesome future-creation. Also, they really do have a Tardis on the roof, just like that photo up there shows–not shopped.
Serving as a launch and fundraiser event for the new ELECTRONIC SOUND + ART CHICAGO (ESAC) organization, this Saturday will be the first in a series that takes a refreshingly sincere approach within an increasingly scenester and media-driven musical landscape.
This two-room multimedia extravaganza showcasing the Chicago/Midwest debut of ATOM™(Uwe Schmidt of Señor Coconut /Atom Heart fame) & Tobias.
It also features a couple surefire debut tag team spots (C.Widman vs Striz, DJ Warpvs F.Vega), as well as a second BEAT.SPACE room featuring performances culled from across Chicago’s varied electronic music community from the likes of Radius,Karl Meier, FMEL’s (((SONORAMA))), andTIME NICE (of dubscription). Presale tickets are available via Resident Advisor. The Viaduct Theater is located at 3111 N. Western.
Atom™ and Tobias Freund are veritable living legends of electronic music. Tobias began his career in the early ’80s, mainly using the pseudonym “Pink Elln”. He looks back on a long sequence of music making that has led him from mainstream pop to club music, and then onto the experimental and undefinable. Uwe Schmidt, better known as Atom™, has a similar musical background. He is most well known for his work under the Senor Coconut moniker, but has worked under dozens of other aliases, all with their own sound.
Atom™ and Tobias met around 1986, while both were still living in Frankfurt. The pre-techno scene was blossoming when they met in a studio. In 1990, Tobias was the engineer who helped mix and record Atom™’s first release ever. As a natural consequence, Tobias and Atom™ started to work together. Strangely, they collaborated not so much in a studio environment, but mostly playing improvised electronic music concerts. In 1992 they recorded one of the very first live techno recordings ever, the 12-inch “Elektroniikkaa”, which soon became an underground anthem.
Their paths would separate in the ’90s – Atom™ moving to Santiago de Chile; Tobias relocating to Berlin – but would reconnect on a live stage again in 2003 at Mutek Chile. Even with a 10 year performance separation, the reactivation worked perfectly and they decided to share the stage more often. They have been playing many concerts worldwide since the successful re-launch in 2003 (Berghain, The Bunker, Labyrinth), and we are excited to have their debut Midwest appearance coincide with the ESAC launch event!
This is the release party for the latest free compilation on my label. Come out and listen to live PAs from five artists who are on the compilation.
Chicago-based innovative electronic music label subVariant will release a free-to-download compliation called Frequencity featuring quality songs from Chicagoland musicians. Earlier this year subVariant released a public call for electronic music from area musicians, without restriction on the genre. In response, a dozen tracks were chosen that represented high quality perspectives on the medium from a talented group of musicians.
On Wednesday, November 16, five of the artists will play at Darkroom (2210 W Chicago Ave Chicago): XYZR_KX, Belmont & Clark, Beanbake, Foe Paw, and [esc]APE.