[Emailed to Lego on 5/2/2012 since they have a charlimit on their comment form]
Hey guys,
I’m a woman who has been a Lego fan since I was a little girl. I loved cars, and I loved hotel rooms, and I made the coolest spaceships and space stations from the random Lego sets my parents bought me. My style was “Airstream meets 2001: A Space Odyssey, plus Holiday Inn” (because, c’mon, every space cruiser needs a pool!). It was super fun building vehicles for imaginary adventures. Luckily, I still create stuff as an adult even though they aren’t space Winnebagos.
I gotta say though… I have yet to see one girl represented in your “Cool Creations” shout-out spread where you feature works by kids.
Granted, I may have overlooked some issues, but this kind of layout is typical.
And yet, your advertisements for your Legolands have a pretty fair split between the sexes.
What gives? It’s 2012 already, and we should be beyond this gender-skewed thing.
I’m guessing it’s one of two things. Either you’ve got a photo editor who favors boys’ creations, or you’re just not getting enough girls to submit the stuff they’ve made. If it’s the latter… that’s kind of disturbing, and I’m perplexed why you haven’t addressed it.
I love what your company represents–creativity, architecture, engineering, “building worlds” all that. But as I flipped through my last issue, I did notice it’s emphasis on superheros and cartoon drama. While that’s necessarily not a bad thing, you’ve created the heros as males, and since the viewer is supposed to identify with the protagonist, you might be turning off girls who “can’t see themselves” in that situation.
Don’t you think girls should be welcomed into fields of engineering and creating? It might be a bigger question that you as a company can simply answer and solve, but I’d really like to hear your thoughts on these issues.
Urbanized posits that city dwellers must not only forge an innovative self-reliance, they must imagine higher forms of living. The radical fluctuations of growth and decline happening in modern cities necessitate infinite innovation. Urbanized is an extraordinarily ambitious attempt to make sense of a world flowing into cities. This visually arresting film, like Hustwit’s past work, elegantly conveys the omnipresence of design in daily life. Essential viewing.
Here’s a hilarious book explaining how computers work, referencing meat needed as fuel, puppies, and a washing machine as integral parts.
In a classic internet video, Bjork explains how television works, comparing the electrical components to buildings in a city, and the wires are “elevators.” It bothers me that people find her “adorable” when she is acting like a child simplistically justifying the “magic” of electronics. What’s also sad is she is an electronic musician who should have technical knowledge of her tools (however, she relies heavily on producers, which could explain why she thinks electronics is a magical process). She is a grown woman and it is sad that this is considered cute.
Like Ms. Sherman, my creative process involves being alone, thinking, devising, mentally-sketching, tweaking, re-tweaking, re-thinking; sharing for feedback, and then re-tweaking some more. It’s emblematic of the contemporary, technology-enabled artist, in a way. Creative types have so many resources available: so many mediums to muck around in, so many visual sandboxes (like Adobe CSx–Photoshop, Illustrator, Premier); audio playgrounds (like Reaktor, Ableton, FL Studio) and platforms for interdisciplinary / cross-medium work (like Max/MSP, etc).
…
When I applied to art colleges, I was so disheartened by the rampant insistence that I choose a medium. I didn’t like the feeling of being forced to create within an established “language” (medium) that could be critically evaluated (by critics who specialized in media). Then I found California Institute of the Arts, was accepted, and played and played and played and finally found my voice. A voice that was me, and not limited to choice of media, but one that used media to express the ideas I wanted to introduce to the world.
And that, I feel, is true contemporary artistry. Knowing that the clay of the world is yours to play with and yours to enjoy.
On June 4th, 2011 is the 4th Annual Experimental Garage Sale! This craft fair focuses on circuit bending and DIY musical instruments at the Experimental Sound Studio space with 12 sellers who will have plenty circuit bent devices, un-bent toys, electronic parts, kits, experimental instruments, contact microphones, guitar pedals, art, and more. The sale will begin rain or shine at 12:00 PM and last until 6:00 PM.
Chicago gets a taste of the Montreal-based digital art and electronic music festival that showcases innovation in music and creativity on April 21-23 with Avant_Mutek: Chicago.
Founded in 2000, Mutek is an international festival organization dedicated to the promotion of electronic music and the digital arts. Its main event is an annual five-day event in Montreal, Canada that takes place in late May and early June. Many of electronic music’s most established figures have performed, as well as numerous new artists who have gone on to build sustainable careers. Along with performances, the festival also features workshops relating to gear and software showcases, and panel discussions concerning the issues that face electronic music and music production.
Reformat the Planet is a feature-length documentary that focuses on some of the personalities behind the 8-Bit / chiptune scene in New York City, featuring some of our favorite Game Boy artists, notably Bit Shifter.
Reformat the Planet (RTP) is a feature length documentary which delves into the movement known as chip music, a vibrant underground scene based around creating new, original music using obsolete video game hardware. Familiar devices such as the Nintendo Game Boy and Nintendo Entertainment System are pushed in new directions with startling results.
…After documenting several live chip music performances in New York City and being invited to film the first year of the now annual Blip Festival, it was clear that they stood before a rich cultural mine that few were tapping in any long-form projects. The decision to focus the film on the varied personalities of the NYC chip music scene was a quick and obvious one.
